Continue to Tango Argentino - 1989 - 1999 - Second section |
Date: Sat, 15 Nov 2008 15:54:49 +0000
From: Sergio Vandekier <firstname.lastname@example.org>
Subject: [Tango-L] Argentine Tango - 1989 - 1999 - today - I
To: Tango-L List <email@example.com>
"New Styles of dance generate confrontations and polemics between milongueros" (Article from "Clarin", Sunday, August 8, 1999)
I will divide this article in two sections, this is the first one.
For ten years, the proliferation of teachers and schools have been modifying the way to dance tango. Although the change is evident, it has heterogeneous forms. As a result of that, there is a new paradigm: today, anyone can dance.
The static postcard of the milongas today, with its colorful mixture of "hip youngsters" and "old time historical habitues
united in the "ritual" of the dance, is not more than that: a flat image that rarely reveals something more than a repertoire of archetypes. Behind that frozen scene, nevertheless, an unsuspected and burning world exists where the old can be new, the novelty can be obsolete, a simple thing can be difficult, and the excessive is insufficient. And in that, on the other hand, all these values are in permanent change.
Ten years ago, and in a symptomatic coincidence with the world-wide triumph of the musical review Tango Argentino, the social dance of tango began to rise from the ashes in which it had been almost buried for decades.
It is known that throughout these last ten years, the panorama was modified completely. Today, hundreds of instructors shape thousands of dancers who attend tens of milongas. In order to have an idea, it is enough to take a look at anyone of the specialized publications (Tangauta, B.A. Tango), or to consider that at a single school (Estrella-LaViruta) there is an enrollment of 600 students.
But beyond the numbers factor, the phenomenon of the contemporary milongas marks a historical change in another sense: a new change of direction in the continuous transformation of the styles of dance throughout the century.
What is being favored today on the dance floor? If it is what can be observed with more frequency, one would say that three tendencies are disputing for supremacy:
the Urquiza style, the Almagro style and the Naveira style, as the fans know them, - implying a neighborhood, a club and a teacher.
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