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 Date:    Mon, 29 Oct 2001 09:29:36 -0800
 From:    JeffryesSussex <doktordogg@YAHOO.COM>
 Subject: Don't disturb the follower (was centering)
 
 --- Clifton Chow <TangoPassionMoon@AOL.COM> wrote:
 
 > First, I realised that some of them dance Tango like> the salsa or disco,
 > moving and swaying their upper bodies to a rhythm
 > they hear in the Tango.
 
 > Besides telling them outright> to stop it, does anyone
 > have any other suggestions?
 >
 > Second, many new followers, as may be expected, do
 > not know Tango music very
 > well.  They seem to be so worried about knowing my
 
 lead
 > that they can't seem to> relax and just let the music guide their rhythm.
 
 I think in both cases you're talking about somethingContinue to RCA VICTOR 100 ANOS |
ARTICLE INDEXthat needs to be addressed by instruction, not
 leading.  I've gone on record on this list with my
 views about the proper sources of instruction:
 classes/lessons conducted by teachers.  It shouldn't
 come from leaders, and never at milongas.
 
 I've danced with beginners who bounced to the beat.  I
 doubt that it can be changed by the lead.  There's a
 certain amount of information that has to be
 introduced by teachers.  In the mean time, I can
 imagine worse things than a woman bouncing to the
 beat.  At least a "bouncer" has time!  Yayyy.  The
 musical understanding is there.  If she continues to
 study and begins to express her rhythmic understanding
 more in a tango way, those will be some very nice
 dances coming up.
 
 This has been said many times.  If the beginner you're
 dancing with has problems like this, my advice is shut
 up and dance to her level.  That might mean walks and
 weight shifts and nothing more.
 
 Leaders can feel frustrated that there isn't more
 happening in the dance because it seems like a
 reflection on their leading ability.  "If I'm a great
 leader, she ought to be able to feel these ochos and
 crosses, etc."  Maybe a genius leader CAN improve a
 beginner's dancing through the lead.  However, the aim
 never should be that.  It's a little cruel to treat
 one's partners as a "proving ground" for one's
 leading.
 
 I don't imagine women are so impressed by dances in
 which they miraculously do things they hadn't done
 before.  I'm betting they like to be able to dance and
 to look good while doing it.  Maybe some would care to
 respond to that.
 
 This is what I would like to say about the "Centering"
 thread...
 
 You, as a leader, can't "center the follower".  Don't
 try.
 
 A follower can dance and be on her center, or she
 can't yet.  It's up to her.
 
 If a follower can center herself, what the leader can
 do is avoid disturbing her center.
 
 If she can't, it's up to her to seek instruction.
 Leave her learning process to her.  If you still want
 to dance with her, find other good reasons.
 
 The best way to avoid disturbing your partner's center
 is having one of your own.
 
 I've seen lots of debate about solo practice.  I
 believe it's a great idea.  Naturally, it won't teach
 you to partner.  However, if you can do everything you
 need to do by yourself, at least you have a chance at
 not disturbing your partner's center.  If you can't
 stand up on your own two feet, guess what will happen
 to your partner's center?
 
 When partnering, there are the additional challenges
 of accommodating one another's space and not confusing
 turning and moving (you can't turn and move at the
 same time).
 
 I don't think a leader can center the follower, but I
 think a good leader can lead and accommodate a
 follower who has a center of her own.
 
 Jai
 
 
 
 
 
 
 
 
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