Date:    Sun, 13 Jan 2002 22:45:48 -0700 
From:    Tom Stermitz <Stermitz@RAGTIME.ORG> 
Subject: Tango Economics 101: Workshops 
  
Tango Economics 101: Workshops 
  
Tango across the US is built on local teachers charging $8 - 10/ hour 
and workshops with visiting masters, which cost $15 - $35. (Let's not 
forget practices & milongas from $5 - 15). 
  
Why does a 1-1/2 hr workshop cost $15 in one city and $35 in another? 
  
  
I'd like to share some example workshop budgets below, but let's cut 
to the single most important factor: ATTENDANCE. 
  
If you get 40 - 50 people to a class (which sometimes happens in 
Portland or Seattle), then it is possible for the organizers and the 
teachers to break even with prices at $15. 
  
I think that kind of success is less common. 
  
More typical is the following situation: 
  - Classes of 15 - 20  people 
  - Prices of $20 - 25. 
  - Teachers make out okay, 
  - Organizers take a low or zero profit 
  
  
The system in the US isn't as mature as in Europe where flat rate 
contracts with the master teachers are more common. Here in the US, 
you get a lot of variation from city to city. 
  
There are three points of view on this: the student, the organizer 
and the teacher. 
  
The 4th point of view is what is best for the community. 
  
It is possible to kill the goose laying the golden egg if: 
  
  - Prices are too high so the community doesn't grow and 
    students stay away from the workshops. 
  - The Organizer makes no profit, so doesn't do it anymore 
  - The Teacher takes too high a profit, and isn't invited again. 
  
  
There are (at least) three typical contracts: 
  - Teacher gets 50% of the GROSS, Organizer covers expenses out 
    of his or her 50%, and keeps the profit. 
  - Teacher gets 2/3 of the NET, after expenses are removed. 
  - Teacher gets a flat fee, say $200/class. 
  
Based on these three kinds of contracts I show 4 budgets below, which 
indicate that 20 people per class is approximately break-even. 
  
The 4th budget shows why you need 30 people per class in order for 
prices to drop to $15. 
  
  
Terms:         50% Gross    66% Net  $200/class 50% Gross 
  
Price:               $20        $20         $20        $15 <- 
Attendance:           20         20          20         30 <- 
# Classes:             4          4           4          4 
Gross:            $1,600     $1,600      $1,600     $1,800 
  
Teacher Fee:        $800       $593        $800       $900 
  
Airfare:             400        400         400        400 
Rent:                200        200         200        200 
Ads/flyers:          150        150         150        150 
Expenses:         $1,510     $1,303      $1,510     $1,610 
  
Organizer Profit:    $90       $297         $30       $190 
  
  
For a teaching couple, the airfare would be double, and the price of 
the workshop would need to be $5 higher just to cover that. 
  
I recognize that local situations may vary, spaces may cost more than 
$30/hour in your city, and airfare can go up or down. etc. But, the 
only thing that really makes a difference is ATTENDANCE. 
  
You can easily make the adjustments for your situation. 
  
In addition, the visiting teacher typically makes $75 - 120 per hour 
in private lessons. If this seems high, it should be pointed out that 
this is considerably less than a private with a highly-credentialed 
teacher or coach in the ballroom world. 
  
  
Point of view of the Student. 
  
We'd all love lots of tango classes, with great teachers at low 
prices, but...here is what the profit looks like for three prices, 
applied to the first budget listed above (changing only the price): 
  
  
Price of Class:           $15         $20         $25 
Length of class:         1.50        1.50        1.50 
Hourly Expense:        $10.00      $13.33      $16.67 
  
Teacher Earns:           $750      $1,000      $1,250 
Organizer Earns:        -$110         $90        $290 
  
  
  
The only editorial comment I'd like to make is the following: 
  
Price doesn't always correlate with the credentials of the teacher. 
This has something to do with the relatively high fixed costs of 
airfare and teacher fee. 
  
It also has to do with marketing to unsophisticated consumers. 
-- 
Tom Stermitz 
2612 Clermont St 
Denver, CO 80207 
home: 303-388-2560 
cell: 303-725-5963 
  
  
 
 
 
Date:    Mon, 14 Jan 2002 15:30:20 +0900 
From:    astrid <astrid@RUBY.PLALA.OR.JP> 
Subject: Re: Tango Economics 101: Workshops 
  
Tom writes: 
  
 > Tango Economics 101: Workshops 
> 
> Tango across the US is built on local teachers charging $8 - 10/ hour 
> and workshops with visiting masters, which cost $15 - $35. (Let's not 
> forget practices & milongas from $5 - 15). 
> 
> Why does a 1-1/2 hr workshop cost $15 in one city and $35 in another? 
> 
 You left out the rent for the facilities. Here is what skyrocketing land 
prices lead to: 
In Tokyo: 
practica with Gustavo (90 minutes lesson + 2-2,5 hours of free dancing in 
the West of Tokyo, 10- 25 participants): 2000Yen 
lesson with Juan (90 minutes+ plus a bit of free practise in the center of 
Tokyo, 12-30 part.) 3500Yen 
lesson with Jose and Laura (80 minutes, 7-15 part.) 5000 Yen (this incl. the 
room north of city center, which costs half a million Yen/3800$ a month and 
manager's fee) 
since they left their manager and teach in the same place like Gustavo: 80 
min. 3000-3500 Yen 
one US$ is now 132 Yen, up from 110. 
Private lessons are usually 10000 Yen, with visiting stars 14000 
A workshop (90 min) with Carlos Gavito is 6000 Yen 
A private with him now a dizzying 19.000Y which is about 140$. 
A milonga in Tokyo is 1000-3500 Yen (depending on where, with whom, with 
food and drink or not) a milonga with shows by professional Argentines and 
others 5000 Yen, is milonga organised by Japanese, with Japanese (semi)-pro 
shows and a bit of food and drink, ironically 10000 Yen. 
(renting a dance hall can be several 1000 $ an evening) 
  
In comparison Berlin, Germany: 
a milonga is 7DM (370 Yen/ 2,80 US$, no kidding) 
a class with an Deborah and Emiliano: 20 DM (1100 Yen) 
The room is an at least 60 year old ballroom in East berlin, where rents are 
extremely low. 
A workshop with Mora Godoy: 40DM, I heard 
  
Astrid 
  
  
 
    
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