Date: Wed, 11 Jan 2006 18:10:33 -0700
From: "tho x. bui" <blahx3@EARTHLINK.NET>
Subject: Tango music, a violin technique question
Howdy.
In tango music, there are many instances where the violinist make a
rhythmic scratching sound by bowing slightly _behind_ the bridge.
I have the sheetmusic of "Tango for 4" by Piazzolla where this technique
is called "sandpaper."
What is it called in Argentina, and/or is "sandpaper" a direct translation?
Thanks,
Tho
Tho X. Bui
https://home.earthlink.net/~blahx3/thoxbui/
Date: Wed, 11 Jan 2006 18:38:48 -0700
From: Bruno Romero <romerob@TELUSPLANET.NET>
Subject: Re: Tango music, a violin technique question
>In tango music, there are many instances where the violinist make a
rhythmic scratching sound by bowing slightly _behind_ the bridge.
I have the sheetmusic of "Tango for 4" by Piazzolla where this technique
is called "sandpaper."
What is it called in Argentina, and/or is "sandpaper" a direct translation?
My 2 cents:
It is called "efecto lija" (scratch effect) del violin
"Lija" = rasp, scratch, etc.
Elvino Vardaro, the tango violinist, used it quite often. It is presumed
that Piazzola adopted/copied this technique from Vardaro.
I do not have the following article but my description comes from the
internet. If you have access to:
https://muse.jhu.edu/cgi-in/access.cgi?uri=/journals/latin_american_music_rev
iew/v022/22.2maurino.pdf
or obtain it from your local library.
Maurino, Gabriela "Raices tangueras de la obra de Astor Piazzolla"
Latin American Music Review - Volume 22, Number 2, Fall/Winter 2001, pp.
240-254
University of Texas Press
Cheers,
Bruno
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